Bach Bibliography Search Result

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Type	List	Author	Title [further info]	Series	Vol	No	Year	Pages	Status
			[]
	1.	Buelow, George J.	A Bach Borrowing by Gluck: Another Frontier.	Bach	22	1	Spring-Summer 1991	43-61
	2.	Herz, Gerhard	A Bach Signature in the Possession of Gerhard Herz.	Bach	9	4	Oct 1978	23-24
	3.	Harriss, Ernest	A Chronology of the Works of Johann Sebastian Bach. Part I.	Bach	11	2	Apr 1980	2-20
	4.	Harriss, Ernest	A Chronology of the Works of Johann Sebastian Bach. Part II.	Bach	11	3	Jul 1980	2-8
	5.	Harriss, Ernest	A Chronology of the Works of Johann Sebastian Bach. Part III.	Bach	11	4	Oct 1980	3-7
	6.	Heinrich, Adel	A Collation of the Expositions in Die Kunst der Fuge of J. S. Bach.	Bach	12	2	Apr 1981	28-40
	7.	Ebert, Robert R.	A Comparison of the Prices of Organs in Bach's Time and the 1980's.	Bach	19	1	1988	28-45
	8.	Peters, Mark A.	Adapting Bach's final Weimar Cantata for Performance in Leipzig: Liturgical and Musical Considerations in Cantata 147. [BWV 147]	Bach	31	1	2000	58-73
	9.	Smith, Mark M.	A Deceptive Edition of the Bach 'Cello Suites.	Bach	9	1	Jan 1978	26-29
	10.	Rathey, Markus	A Divided Country - A Divided Bach: The Cantor-Kapellmeister Controversy and the Cold War.	Bach	47	2	2016	1-26
	11.	Mann, Alfred	A Document from the Hand of Arthur Mendel: Introduction and Commentary.	Bach	20	3	Fall 1989	4-5(-14)
	12.	Barber, Elinore	Albert Riemenschneider: A Portrait of the Founder of Baldwin-Wallace College's Conservatory of the Occasion of its 100th Anniversary.	Bach	29	2	Fall-Winter 1998	1-7
	13.	Schweitzer, Albert	Albert Schweitzer writes to Elinore Barber concerning his condition, his work, his fight against atomic weapons.	Bach	3	4	Oct 1972	25-27
	14.	Unger, Melvin P.	Alfred Mann.	Bach	37	2	2006	119
	15.	Glöckner, Andreas	Alumni and Externals in the Choirs of the Thomas School during Bach's Time. Trans. Sabine Thomas	Bach	40	1	2009	1-34
	16.	Kellner, Herbert Anton	A Mathematical Approach Reconstituting J. S. Bach's Keyboard-Temperament. Dedicated to the composer Bernard Schulé of Geneva on the occasion of his 70th birthday.	Bach	10	4	Oct 1979	2-8
	17.	Kellner, Herbert Anton	A Mathematical Approach Reconstructing J. S. Bach's Keyboard Temperament. [repr. of Bach x/4 (Oct 1979) with a slightly modified title.]	Bach	30	1	Spring-Summer 1999	1-9
	18.	Lim Bing Nan, Mick	A Mystery Unraveled: Who Composed the Gutenberg 300th Anniversary Cantata?	Bach	49	2	2018	402-424
	19.	Corlis, Timothy	Analysis of Spectra in J. S. Bach's Prelude and Fugue, BWV 552.	Bach	37	1	2006	26-49
	20.	Cypess, Rebecca	Ancient Poetry, Modern Music, and the Wechselgesang der Mirjam und Debora: The Meanings of Song in the Itzig Circle.	Bach	47	1	Jun 2016	21-65
	21.	Currie, Randolph N.	A Neglected Guide to Bach's Use of Number Symbolism -- Part I. [Headings: The Controversy; Bach's Overt Gesture; Symbolic Associations of '84'; The Central Position of the Word factorem]	Bach	5	1	Jan 1974	23-32
	22.	Currie, Randolph N.	A Neglected Guide to Bach's Use of Number Symbolism -- Part II. Notizbuch für Studenten.	Bach	5	2	Apr 1974	36-49
	23.	Currie, Randolph N.	A Neglected Guide to Bach's Use of Number Symbolism -- Part III.	Bach	5	3	Jul 1974	3-12
	24.	Currie, Randolph N.	A Neglected Guide to Bach's Use of Number Symbolism -- Part IV.	Bach	5	4	Oct 1974	3-8
	25.	Schulenberg, David	An Enigmatic Legacy: Two Instrumental Works Attributed to Wilhelm Friedemann Bach.	Bach	41	2	2010	24-60
	26.	Pisk, Paul A.	A New Look at the 'Great 48'. [Review of Hermann Keller's The Well-Tempered Clavier by Johann Sebastian Bach, 1976]	Bach	8	2	Apr 1977	23-25
	27.	Butler, H. Joseph	A Newly Discovered Work of Charles Theodore Pachelbel.	Bach	28	1-2	1997	126-144
	28.	Stinson, Russell	An Introduction to Beiträge zur Bachforschung.	Bach	18	1	Jan 1987	22-24
	29.	Radice, Mark A.	An Inventory of Bach's Musical Offering.	Bach	6	1	Jan 1975	12-16
	30.	Smithers, Don L.	Anomalies of Tonart and Stimmton in the first version of Bach's Magnificat (BWV 243a).	Bach	27	2	Fall-Winter 1996	1-59
	31.	Ambrose, Z. Philip	Another Lament in Weinen, Klagen, Sorgen, Zagen.	Bach	13	3	Jul 1982	20-22
	32.	Broman, Per F.	Another Woody: J. S. Bach in Dixieland. Bach on Screen.	Bach	50	2	Fall 2019	254-274
	33.	Posell, Jacques	A Philatelic Visit with J. S. Bach.	Bach	7	2	Apr 1976	23-28
	34.	Morgan, Emerson	A Previously Unknown Source for the Orgelbüchlein: Yale Misc. Ms. 545.	Bach	42	2	2011	64-73
	35.	Flindell, E. Frederick	Apropos Bach's Inventions [Part I] A. Forkel's report	Bach	14	4	Oct 1983	3-14
	36.	Flindell, E. Frederick	Apropos Bach's Inventions, Part II. B. Athanasius Kircher, Christoph Bernhard, and J. G. Walther. Errata in Bach xv/4, p. 36.	Bach	15	1	Jan 1984	3-16
	37.	Flindell, E. Frederick	Apropos Bach's Inventions, Part III. C. J.A. Reincken, Andreas Werckmeister, and Meinrad Spiess.	Bach	15	2	Apr 1984	3-17
	38.	Peters, Mark A.	A Reconsideration of Bach's Role as Text Redactor in the Ziegler Cantatas.	Bach	36	1	2005	25-66
	39.	Gleason, Harold	A Seventeenth-Century Organ Instruction Book.	Bach	3	1	Jan 1972	3-12
	40.	Gleason, Harold	A Seventeenth-Century Organ Instruction Book. [Wegweiser die Kunst die Orgel] [repr. of Bach iii/1 (Jan 1972)]	Bach	12	3	Jul 1981	11-20
	41.	Gleason, Harold	A seventeenth-century Organ Instruction Book. [Wegweiser die Kunst die Orgel recht zu schlagen] [repr. of Bach iii/1 (Jan 1972), again repr. of Bach xii/3 (Jul 1981) with added facsimile images.]	Bach	27	2	Fall-Winter 1996	60-83
	42.	Marlowe, Sarah	A Taxonomy for Teaching Music Theory: J. S. Bach and Lessons in Invertible Counterpoint. Roundtable: Bach in the Music Theory Classroom	Bach	49	2	2018	365-387
	43.	Getz, Christine Suzanne	A Telemann Concerto for Violin and Strings?: Some Hints on the Reconstruction of an Unidentified Concerto.	Bach	19	2	1988	3-24
	44.		Author-Title-Subject: Cumulative Index 1970-2000	Bach	31	2	2000	1-67
	45.	Maul, Michael	A Weimar Commemorative Album and Bach's Canon BWV 1073. Trans. Mary Greer.	Bach	46	1	2015	49-73
	46.	Barber, Elinore	Bach Adds a Tempo Mark?	Bach	1	2	Apr 1970	3-5
	47.	David, Hans T.	Bach Analyses: J. S. Bach's Fugue in E minor from The Well-tempered Clavier, Book I.	Bach	2	3	Jul 1971	15-16
	48.	David, Hans T.	Bach Analyses. J. S. Bach's Prelude in E minor from The Well-tempered Clavier, Book 1.	Bach	2	2	Apr 1971	18-19
	49.	Collins, Denis	Bach and Approaches to Canonic Composition in Early Eighteenth-Century Theoretical and Chamber Music Sources.	Bach	30	2	1999	27-48
	50.	Tomita, Yo	Bach and His Early Drafts: Some Observations on Little Known Early Versions of Well-Tempered Clavier II and the Goldberg Variations from the Manfred Gorke Collection.	Bach	30	2	1999	49-72
	51.	Leaver, Robin A.	Bach and Luther.	Bach	9	3	Jul 1978	9-12; 25-32
	52.	Marshall, Robert L.	Bach and Mozart: Styles of Musical Genius.	Bach	22	1	Spring-Summer 1991	16-32
	53.	Barber, Elinore	Bach and the B-A-C-H Motive.	Bach	2	2	Apr 1971	3-5
	54.	Schenkman, Walter	Bach and the Beer Fiddlers.	Bach	26	1-2	1995	48-56
	55.	Flindell, E. Frederick	Bach and the Middle Ages.	Bach	36	2	2005	1-119
	56.	Paczkowski, Szymon	Bach and the Story of an 'Aria Tempo di Polonaise' for Joachim Friedrich Flemming. [BWV 210a, 30a, 210]	Bach	38	2	2007	64-98
	57.	Petzoldt, Martin	Bach as Cantor of St. Thomas in Leipzig, 1723-1750.	Bach	46	2	2015	7-21
	58.	Plank, Steven E.	BACH at 50: Some Anniversary Thoughts. BACH and the Riemenschneider Bach Institute.	Bach	51	2	2020	177-185
	59.	Marshall, Robert L.	Bach at Mid-Life: The Christmas Oratorio and the Search for New Paths.	Bach	43	1	2012	1-28
	60.	Leaver, Robin A.	Bach Cantatas: in Print and Recordings.	Bach	48	1	2017	93-114
	61.	Marshall, Robert L.; Marshall, Traute M.	Bach Family Sites.	Bach	51	1	2020	70-121
	62.	David, Hans T.	Bach Form -- A Letter and Ground-Plan.	Bach	1	2	Apr 1970	14-17
	63.	David, Hans T.	Bach Form: Ground Plans by the Late Professor Hans T. David. Aria mit 30 Variationen (Goldberg Variations) -- J. S. Bach [1742].	Bach	1	1	Winter 1970	15-16
	64.	Lenneberg, Hans	Bach, Handel, and Relative Success, Part I.	Bach	12	4	Oct 1981	22-27
	65.	Lenneberg, Hans	Bach, Handel, and Relative Success, Part II.	Bach	13	2	Apr 1982	17-22
	66.	Pisk, Paul A.	Bach in Our Time.	Bach	4	3	Jul 1973	13-17
	67.	Linton, Michael	Bach, Luther, and the Magnificat.	Bach	17	2	Apr 1986	3-15
	68.	Markevitch, Dimitry	Bach's Cello Suites Revisited: The Manuscripts of the Bach Cello Suites, an Inextricable Labyrinth for Cellists? [A Reader's Response]	Bach	30	1	Spring-Summer 1999	66-69
	69.	Trautmann, Christoph	Bach's Clavierübung: III.	Bach	15	3	Jul 1984	3-11
	70.	Cox, Howard H.	Bach's Conception of His Office.	Bach	20	1	Spring 1989	22-30
	71.	Whaples, Miriam K.	Bach's Earliest Arias.	Bach	20	1	Spring 1989	31-54
	72.	Unger, Melvin P.	Bach's First Two Leipzig Cantatas: The Question of Meaning Revisited.	Bach	28	1-2	1997	87-125
	73.	Barber, Elinore	Bach's 'Incomplete' Quadruple Fugue from Die Kunst der Fuge (1752-Edition Print Held by the Riemenschneider Bach Institute.)	Bach	17	4	Oct 1986	24-29
	74.	Jerold, Beverly	Bach's Lament about Leipzig's Professional Instrumentalists.	Bach	36	1	2005	67-96
	75.	Herford, Julius	Bach's Models of 'Good Inventiones' -- How to Develop the Same Well. [Headings are: Overall Form; Dove-tailed Cadences; Consistent Sixteenth-Note Motion; Inner Cadences; Harmonic Rhythm]	Bach	4	1	Jan 1973	16-20
	76.	Herford, Julius	Bach's Models of 'Good Inventiones'. [Part I].	Bach	2	4	Oct 1971	10-14
	77.	Herford, Julius	Bach's Models of 'Good Inventiones'. Part II.	Bach	3	1	Jan 1972	27-30
	78.	Herford, Julius	Bach's Models of 'Good Inventiones'. Part III.	Bach	3	2	Apr 1972	28-30
	79.	Currie, Randolph N.	Bach's Newly Discovered Canons in a First Edition: Some Observations.	Bach	8	2	Apr 1977	15-22
	80.	Currie, Randolph N.	Bach's Newly Discovered Canons in a First Edition: Some Observations, Part II.	Bach	8	3	Jul 1977	3-12
	81.	Currie, Randolph N.	Bach's Newly Discovered Canons in a First Edition: Some Observations, Part III.	Bach	8	4	Oct 1977	3-9
	82.	Collins, Denis	Bach's Occasional Canon BWV 1073 and 'Stacked' Canonic Procedure in the Eighteenth Century.	Bach	33	2	2002	15-34
	83.	Mulbury, David	Bach's 'Passacaglia' in c minor. Notes Regarding Its Background, Essence, and Performance. [Part I.] I - Introduction; II - Historical Background	Bach	3	2	Apr 1972	14-27
	84.	Mulbury, David	Bach's 'Passacaglia' in C minor. Notes Regarding Its Background, Essence, and Performance. Part II. III Structure and Symmetry; IV Performance.	Bach	3	3	Jul 1972	12-20
	85.	Mulbury, David	Bach's 'Passacaglia' in C minor. Notes Regarding Its Background, Essence, and Performance -- Part III. Organ, Harpsichord, or Clavichord?; Registration; Summary	Bach	3	4	Oct 1972	17-24
	86.	Barber, Elinore	Bach's Portrait in Gerber's Lexicon.	Bach	2	1	Jan 1971	3-6
	87.	David, Hans T.	Bach's Problems and Artistic Creed.	Bach	1	2	Apr 1970	6-13
	88.	Schulze, Hans-Joachim	Bach's Secular Cantatas - A New Look at the Sources.	Bach	21	1	Spring 1990	26-41
	89.	Rilling, Helmuth	Bach's Significance.	Bach	16	3	Jul 1985	2-16
	90.	Morgan, Wesley K.	Bach's Singet dem Herrn ein neues Lied: an Old Problem.	Bach	11	4	Oct 1980	8-23
	91.	Morgan, Wesley K.	Bach's Singet dem Herrn ein neues Lied: an Old Problem. Part II.	Bach	12	1	Jan 1981	2-12
	92.	Sevier, Zay David	Bach's Solo Violin Sonatas and Partitas: The First Century and a Half, Part 1.	Bach	12	2	Apr 1981	11-19
	93.	Sevier, Zay David	Bach's Solo Violin Sonatas and Partitas: The First Century and a Half, Part 2.	Bach	12	3	Jul 1981	21-29
	94.	Konecni, Vladimir J.; [Koneèni]	Bach's St. Matthew Passion: A Rudimentary Psychological Analysis, Part I.	Bach	17	3	Jul 1986	10-21	Latin 2
	95.	Konecni, Vladimir J.; [Koneèni]	Bach's St. Matthew Passion: A Rudimentary Psychological Analysis, Part II.	Bach	17	4	Oct 1986	3-16	Latin 2
	96.	Flindell, E. Frederick	Bach's Tempos and Rhetorical Applications. Errata is published in Bach, xxx/1 (1999), p.74.	Bach	28	1-2	1997	151-236
	97.	Stinson, Russell	Bach's Tercentenary Issues of Periodicals: A Selected Bibliography.	Bach	17	4	Oct 1986	17-23
	98.	Leaver, Robin A.	Bach's Understanding and Use of the Epistles and Gospels of the Church Year.	Bach	6	4	Oct 1975	4-13
	99.	Jenne, Natalie	Bach's Use of Dance Rhythms in Fugues. [I]	Bach	4	4	Oct 1973	18-26
	100.	Jenne, Natalie	Bach's Use of Dance Rhythms in Fugues. Part II.	Bach	5	1	Jan 1974	3-8
	101.	Jenne, Natalie	Bach's Use of Dance Rhythms in Fugues: Part III.	Bach	5	2	Apr 1974	3-21
	102.	Wolff, Christoph	Bach the Cantor, the Capellmeister, and the Musical Scholar: Aspects of the B-Minor Mass.	Bach	20	1	Spring 1989	55-64
	103.	Crist, Stephen A.	Bach, Theology, and Harmony: A New Look at the Arias.	Bach	27	1	Spring-Summer 1996	1-30
	104.	Unmack, Susan; Hartwell, Robert	Baroque Ideals of Text Declamation and Their Relevance to the Falsobordone Genre.	Bach	14	4	Oct 1983	15-24
	105.	Barber, Elinore	Beethoven and Bach.	Bach	1	4	Oct 1970	4-5
	106.	Barber, Elinore	Beethoven on Bach. Excerpts from Letters.	Bach	1	4	Oct 1970	6-8
	107.	Doll, Christopher	Beginnings for Beginners: A Pedagogy for Starting a Prelude. Roundtable: Bach in the Music Theory Classroom	Bach	49	2	2018	248-265
	108.	Wollny, Peter	'Bekennen will ich seinen Namen': Authenticity, Purpose and Context for the Aria BWV 200. Observations on Johann Sebastian Bach's Reception of Works by Gottfried Heinrich Stölzel. Trans. James Brokaw, II. [Originally published in German in Bach-Jarhbuch 94 (2008)]	Bach	48	1	2017	36-75
	109.	Barber, Elinore	Butter, Guns, and Bach?	Bach	1	3	Jul 1970	3-4
	110.	McLean, Hugh J.	BWV 551, A Bachian Orphan.	Bach	24	1	Spring-Summer 1993	35-42
	111.	White, H. M.	Canon in the Baroque Era: Some Precedents for the Musical Offering.	Bach	15	4	Oct 1984	4-15
	112.	Mayerovitch, Robert	CD Review: Johann Sebastian Bach. Art of Fugue. Peter Elyakim Taussig, piano solo. MS 102 Crystal Music Records, 2001. Recorded on the Yamaha Disklavier PRO(R)piano.	Bach	33	2	2002	71-76
	113.	Stinson, Russell	Clara Schumann's Bach Book: A Neglected Document of the Bach Revival.	Bach	39	1	2008	1-66
	114.	Korsyn, Kevin	Composition Lessons with Bach. Roundtable: Bach in the Music Theory Classroom	Bach	49	2	2018	227-247
	115.	Radice, Mark A.	Concerning the Dating of Reinhard Keiser's St. Mark Passion.	Bach	24	1	Spring-Summer 1993	15-20
	116.	Kellner, Herbert Anton	Considering the Tempering Tonality B-Major in Well-Tempered Clavier II.	Bach	30	1	Spring-Summer 1999	10-25
	117.	Schulenberg, David	C.P.E. Bach and Handel: A Son of Bach Confronts Music History and Criticism.	Bach	23	2	Fall-Winter 1992	5-30
	118.	Corrao, Timothy	C. P. E. Bach's Clavier Quartet in A Minor, Wotquenne 93, Part I.	Bach	12	4	Oct 1981	17-21
	119.	Corrao, Timothy	C. P. E. Bach's Clavier Quartet in A Minor, Wotquenne 93, Part II.	Bach	13	2	Apr 1982	23-27
	120.	Corneilson, Paul	C. P. E. Bach's Evangelist: Johann Heinrich Michel.	Bach	41	2	2010	1-23
	121.	Baumgartner, Nicholas	Currents in Bach Interpretation in Contemporary Germany.	Bach	30	2	1999	1-26
	122.	Currie, Randolph N.	Cyclic Unity in Bach's Sechs Chorale: A New Look at the 'Schüblers,' Part I. Notizbuch für studenten.	Bach	4	1	Jan 1973	26-38
	123.	Currie, Randolph N.	Cyclic Unity in Bach's Sechs Chorale: A New Look at the 'Schüblers,' Part II. Notizbuch für Studenten.	Bach	4	2	Apr 1973	25-39
	124.	David, Hans T.	Deceptive Performance Traditions. (1926) (English Translation by Alfred Mann.) [repr. of Bach xxi/2 (Summer 1990)]	Bach	25	2	Fall-Winter 1994	36-53
	125.	David, Hans T.	Deceptive Performance Traditions. (1926) English Translation by Alfred Mann.	Bach	21	2	Summer 1990	15-22
	126.	Greer, Mary	'Denn er ist unser Friede' ['For He is our peace']: The Significance of the Marking 'Due Chori in unisono' in the Autograph Score of J. S. Bach's St. Matthew Passion.	Bach	45	1	2014	44-89
	127.	Steiger, Renate	Dialogue Structures in J. S. Bach's Cantatas: The Basic Form of Worship as a Model for Artistic Shaping. Trans. by Greta Konradt.	Bach	33	2	2002	35-70
	128.	Badura-Skoda, Eva	Did J. S. Bach Compose 'Pianoforte Concertos'?	Bach	31	1	2000	1-16
	129.	Varwig, Bettina	Distributed Listening: Aural Encounters with J. S. Bach's Sacred Cantatas. Listening to and Performing Bach.	Bach	51	2	2020	210-240
	130.	Cortens, Evan	'Durch die Music gleichsam lebendig vorgestellet': Graupner, Bach, and Mein Herz schwimmt im Blut.	Bach	46	1	2015	74-110
	131.	Music, David W.	Early Bach Publications in United States: Tune Books and Hymnals.	Bach	47	2	2016	47-76
	132.	Jerold, Beverly	Editorial Decisions for Ornaments in Bach's Works.	Bach	33	2	2002	1-14
	133.	Fuhrmann, Christina	Editorial: Tribute to Dr. Elinore L. Barber.	Bach	51	1	2020	1-4
	134.	Greer, Mary	Embracing Faith: The Duet as Metaphor in Selected Sacred Cantatas by J. S. Bach.	Bach	34	1	2003	1-71
	135.	Baumgartner, Nicholas	European Bach Interpretation at the Turn of the Millennium.	Bach	33	1	2002	1-56
	136.	Schulze, Hans-Joachim	Ey! How Sweet the Coffee Tastes: Johann Sebastian Bach's Coffee Cantata in its Time. Trans. by Alfred Mann. [BWV 211]	Bach	32	2	2001	1-34
	137.	Schulze, Hans-Joachim	'Ey! Wie schmeckt der Coffee süsse': Johann Sebastian Bachs Kaffee-Kantate in ihrer Zeit. Facsimile reproduction - Leipzig: Verlag für die Frau, 1985. [BWV 211]	Bach	32	2	2001	36-117
	138.	Barber, Elinore	[Facsimile of biographical entry of H. N. Gerber in his son's Historisch-Biographisches Lexicon der Tonkunstler, 1790]	Bach	15	1	Jan 1984	28-34
	139.	Chobanian, Loris Ohannes (ed.)	FANTASIA For Organ Duo / 'Bach - Riemenschneider' [Special insert]	Bach	44	2	2013	21p
	140.	Jerold, Beverly	Fasch and the Beginning of Modern Artistic Choral Singing.	Bach	35	1	2004	61-86
	141.	Wissner, Reba A.	First Mathematics, Then Music: J. S. Bach, Glenn Gould, and the Evolutionary Supergenius in The Outer Limits' 'The Sixth Finger' (1963). Bach on Screen.	Bach	50	1	2019	63-80
	142.	Oleskiewicz, Mary	'For the Church as Well as For the Orchestra': J.S. Bach, the Missa, and the Dresden Court, 1700-1750.	Bach	38	2	2007	1-38
	143.	Rogal, Samuel J.	For the Love of Bach: The Charles Burney - Samuel Wesley Correspondence.	Bach	23	1	Spring-Summer 1992	31-37
	144.	Butler, Lynn Edwards	Four Sources Relating to Bach, Organ Builder Johann Scheibe, and the Organs in Zschortau and Stötteritz.	Bach	44	2	2013	1-5
	145.	Dadelsen, Georg von	Friedrich Smend's Edition of the B-minor Mass by J. S. Bach. Trans. by James A. Brokaw II.	Bach	20	2	Summer 1989	49-74
	146.	Collins, Denis	From Bull to Bach: In Search of Precedents for the 'Complete' Version of the Canon by Augmentation and Contrary Motion in J. S. Bach's Musical Offering.	Bach	38	2	2007	39-63
	147.	Botwinick, Sara	From Ohrdruf to Mühlhausen: A Subversive Reading of Bach's Relationship to Authority. Errata in Bach xxxvi/2 (2005), p.123.	Bach	35	2	2004	1-59
	148.	Serebrennikov, Maxim	From Partimento Fugue to Thoroughbass Fugue: New Perspectives.	Bach	40	2	2009	22-43
	149.	Plank, Dana	From the Concert Hall to the Console: Three 8-Bit Translations of the Toccata and Fugue in D Minor. Bach on Screen. [BWV 565]	Bach	50	1	2019	32-62
	150.	Smith, Timothy A.	Fugues Without Words: A Hearing of Four Fugues from The Well-Tempered Clavier as Passion Music.	Bach	40	2	2009	44-65
	151.	Boe, John	Fully Notated Articulation in Bach's Mature Keyboard Music.	Bach	7	1	Jan 1976	12-19
	152.	Boe, John	Fully Notated Articulation in Bach's Mature Keyboard Music -- Part II.	Bach	7	2	Apr 1976	14-22
	153.	Leaver, Robin A.	Further Thoughts on B-A-C-H.	Bach	2	4	Oct 1971	36-37
	154.	Dirksen, Pieter	Georg Böhm's Keyboard Music> Questions of Authorship and Connections with the Music of J. S. Bach.	Bach	48	2 and 49/1	2018	93-115
	155.		George Kochevitsky Speaks Concerning the Performance of Early Music. (1972-1976)	Bach	25	2	Fall-Winter 1994	54-58
	156.	Mann, Alfred	Gerhard Herz (September 24, 1911--September 3, 2000).	Bach	32	1	2001	77-78
	157.	Crean, Elise	G. H. Stölzel's Practischer Beweiss: A Hitherto Unconsidered Source for J. S. Bach's Fourteen Canons.	Bach	40	2	2009	1-21
	158.	Kupfer, Peter	'Good Hands': The Music of J. S. Bach in Television Commercials. Bach on Screen.	Bach	50	2	Fall 2019	275-302
	159.	Collins, Timothy A.	Gottfried Reiche: A More Complete Biography.	Bach	19	3	Fall 1988	4-18
	160.	Koopman, Ton	Gustav Leonhardt as a Teacher.	Bach	48	2 and 49/1	2018	44-47
	161.	Barber, Elinore	Hans Theodore David: 'A Portrait in Outline'.	Bach	1	3	Jul 1970	25-29
	162.	Carrier-McClimon, Carolyn	Hearing the 'Töne eines Passionliedes' in J. S. Bach's Christmas Oratorio: The Nineteenth-Century Critical Reception of BWV 248.	Bach	45	2	2014	34-67
	163.	David, Hans T.	Hebrew Letters in Polyphonic Settings by Christian Composers.	Bach	2	2	Apr 1971	6-17
	164.	Öhm-Kühnle, Christoph	Heinrich Nikolaus Gerber's Rediscovered Manuscript of Johann Sebastian Bach's Suite in E Minor (BWV 996): A Copy of Bach's Hitherto Unknown Revised Version. [An expanded English translation of 'Zum Notentext der Suite e-Moll (BWV 996)--Eine textkritische Untersuchung der Abschrift von Heinrich Nikolaus Gerber,' BachJb xcii (2006), pp.295-302]	Bach	38	1	2007	45-66
	165.	Radice, Mark A.	Heinrich Schütz and the Foundations of the Stile Recitativo in Germany.	Bach	16	4	Oct 1985	9-23
	166.	Leaver, Robin A.	Heinrich Schütz as a Biblical Interpreter. [repr. of Bach iv/3 (Jul 1973)]	Bach	16	4	Oct 1985	4-8
	167.	Leaver, Robin A.	Heinrich Schütz as a Biblical Interpreter.	Bach	4	3	Jul 1973	3-8
	168.	Heinrich, Adel	Heretofore Unpublished Conclusions for the 'Incomplete' Quadruple Fugue (Die Kunst der Fuge) Project. Part I: Adel Heinrich's 1986 Contribution.	Bach	17	4	Oct 1986	30-41
	169.	Collins, Denis	Historical Precedents for Bach's Evolutio Canon BWV 1087/10.	Bach	24	1	Spring-Summer 1993	5-14
	170.	Leaver, Robin A.	History Past and Present: Celebrating Two Milestones of the Bach Choir of Bethlehem.	Bach	51	1	2020	122-138
	171.	Siegele, Ulrich	'I had to be industrious...'. Thoughts about the relationship between Bach's social and musical character. (Translated by Gerhard Herz)	Bach	22	2	Fall-Winter 1991	5-12
	172.	Sorrell, Jeannette	Imagination on Fire: A Remembrance of Gustav Leonhardt.	Bach	48	2 and 49/1	2018	13-20
	173.	Cole, Warwick	Improvisation as a Stimulus to Composition in Bach's Partita II. [BWV 826]	Bach	31	1	2000	96-112
	174.	Kennelly, Laura	In Memoriam: Elinore Louise Barber (June 3, 1919-March 26, 2013)	Bach	44	1	2013	134
	175.	Franklin, Don O.	In Memoriam: Martin Petzoldt (13 April 1946--13 March 2015).	Bach	46	1	2015	1
	176.	Goldstein, Michael	In Tokyo: A Little-Known Bach Autograph. [BWV 1006a] (Translated from the German by George A. Kochevitsky of New York City.)	Bach	9	2	Apr 1978	33-36
	177.	Fülöp, Rebecca	Introduction. Bach on Screen.	Bach	50	1	2019	1-4
	178.	Inman, Samantha M.	Introduction to Graduate Theory: Teaching Tonal Hierarchy through Bach. Roundtable: Bach in the Music Theory Classroom	Bach	49	2	2018	345-364
	179.	Fairleigh, James P.	Italian Prototypes of the Baroque Ritornello.	Bach	14	3	Jul 1983	2-11
	180.	Faulkner, Quentin	Jacob Adlung's 'Musica Mechanica Organoedi' and the 'Bach Organ'.	Bach	21	1	Spring 1990	42-59
	181.	Harriss, Ernest C.	J. F. Agricola's Anleitung zur Singkunst: A Rich Source by a Pupil of J. S. Bach.	Bach	9	3	Jul 1978	2-8
	182.	Butler, Lynn Edwards	Johann Christoph Bach's New Organ for Eisenach's Georgenkirche.	Bach	35	1	2004	42-60
	183.	Radice, Mark A.	Johann Mattheson and the Stylus Narrativus.	Bach	18	3	Jul 1987	3-9
	184.	Schenkman, Walter	Johann Mattheson's Organisten-Probe: Erlaeuterungen, A Translation, Part I.	Bach	12	4	Oct 1981	10-16
	185.	Braunlich, Helmut	Johann Peter Kellner's Copy of the Sonatas and Partitas for Violin Solo by J. S. Bach.	Bach	12	2	Apr 1981	2-10
	186.	Crist, Stephen A.	Johann Philipp Bach and the Aria Scotese con Variazzione: Twilight of the Bach Dynasty? BACH and the Riemenschneider Bach Institute.	Bach	51	2	2020	186-209
	187.	Jerold, Beverly	Johann Philipp Kirnberger and the Bach Chorale Settings.	Bach	45	1	2014	34-43
	188.	Ahrens, Christian	Johann Sebastian Bach and The 'New Gusto' In Music Around 1740. Trans. by Sabine Thomas and Melvin Unger.	Bach	33	1	2002	69-83
	189.	Ishii, Akira	Johann Sebastian Bach, Carl Philipp Emanuel Bach, and Johann Jacob Froberger: The Dissemination of Froberger's Contrapuntal Works in Late Eighteenth-Century Berlin.	Bach	44	1	2013	46-133
	190.	Kroeger, Karl	Johann Sebastian Bach in Nineteenth-Century America.	Bach	22	1	Spring-Summer 1991	33-42
	191.	Hirsch, Artur	Johann Sebastian Bach's Cantatas in Chronological Order. See also 'A Clarification' in Bach iv/4 (1973), p.36.	Bach	4	3	Jul 1973	18-35
	192.	David, Hans T.	Johann Sebastian Bach's Great Mass. A Brief Introduction to the Ground Plan Charts and Illustrations.	Bach	2	1	Jan 1971	29-32
	193.	Rathey, Markus	Johann Sebastian Bach's Passions: Recent Publications and Trends in Current Scholarship.	Bach	43	1	2012	65-83
	194.	Leaver, Robin A.	Johann Sebastian Bach: Theological Musician and Musical Theologian.	Bach	31	1	2000	17-33
	195.	Tatlow, Ruth	J. S. Bach and the Baroque Paragram: A Reappraisal of Friedrich Smend's Number-Alphabet Theory. (c) Oxford University Press 1989. With amendments from Music and Letters, Vol.70, No. 2 (May 1989), pp. 191-205.	Bach	20	3	Fall 1989	15-33
	196.	Appel, Richard G.	J. S. Bach and the Bay Psalm Book.	Bach	1	3	Jul 1970	22-24
	197.	Barber, Elinore	J. S. Bach and The Critics.	Bach	2	3	Jul 1971	4-6
	198.	Barber, Elinore	J. S. Bach in the Year of the Moon.	Bach	1	1	Winter 1970	3-5
	199.	Baumgartner, Michael	J. S. Bach, Jean-Luc Godard, and the Reimagining of the Immaculate Conception in Hail Mary (1985). Bach on Screen.	Bach	50	2	Fall 2019	175-219
	200.	Leaver, Robin A.; Remeš, Derek	J. S. Bach's Chorale-Based Pedagogy: Origins and Continuity.	Bach	48	2 and 49/1	2018	116-150
	201.	Butler, Gregory G.	J. S. Bach's Einige Canonische Veraenderungen: The View from the Original Print.	Bach	20	2	Summer 1989	4-37
	202.	Bates, William H.	J. S. Bach's Fantasy and Fugue in G Minor, BWV 542: A Source Study for Organists.	Bach	39	2	2008	1-89
	203.	Herford, Julius	J. S. Bach's Fugue II in C Minor (The Well-Tempered Clavier, Book 1): An Analysis. [Headings: The Fugue Theme; The Form as a Whole; Ternary Devision; Binary Division; The Metrical Structure of the Whole]	Bach	4	3	Jul 1973	36-40
	204.	Butler, Gregory G.	J. S. Bach's 'Hudemann' Canon, BWV 1074: A Note on the Engraving and Printing History.	Bach	25	1	Spring-Summer 1994	5-10
	205.	Peters, Mark A.	J. S. Bach's Meine Seel' erhebt den Herren (BWV 10) as Chorale Cantata and Magnificat Paraphrase.	Bach	43	1	2012	29-65
	206.	Barber, Elinore	J. S. Bach: Suite 4 à Violoncello Solo -- A Manuscript Copy in the Hand of Anna Magdalena Bach; Doris Ornstein's Harpsichord Transcription of BWV 1010. Errata is published in Bach xxx/1 (1999), 65-66.	Bach	29	1	Spring-Summer 1998	38-76
	207.	Kellner, Herbert Anton	Kepler, Bach, and Gauss: The Celestial Harmony of the Earth's Motion.	Bach	25	1	Spring-Summer 1994	46-56
	208.	Leaver, Robin A.	Leipzig's Rejection of J. S. Bach, Part I.	Bach	3	3	Jul 1972	27-39
	209.	Leaver, Robin A.	Leipzig's Rejection of J. S. Bach, Part II.	Bach	3	4	Oct 1972	3-7
	210.	Butt, John	Leonhardt's Role in the Invention of Historically Informed Performance.	Bach	48	2 and 49/1	2018	9-12
	211.	Leaver, Robin A.	Letter Codes Relating to Pitch and Key for Chorale Melodies and Bach's Contributions to the Schemelli Gesangbuch.	Bach	45	1	2014	15-33
	212.	Leaver, Robin A.	List of the Settings of Bible Texts in the Works of Heinrich Schütz.	Bach	4	3	Jul 1973	8-12
	213.	Leaver, Robin A.	List of the Settings of Bible Texts in the Works of Heinrich Schütz. [repr. of Bach iv/3 (Jul 1973)]	Bach	16	4	Oct 1985	24-31
	214.	Schweitzer, Albert	Litterae ab musicis. [Letter to Elinore Barber]	Bach	2	2	Apr 1971	20-21
	215.	David, Hans T.	Litterae ab musicis. Hans David Disclaims the Authenticity of a 'Bach Holograph'.	Bach	1	4	Oct 1970	31-32
	216.	David, Hans T.	Litterae ab musicis: Hans T. David Writes Concerning The Editing of Early Music.	Bach	2	3	Jul 1971	17-20
	217.	David, Hans T.	Litterae ab musicis. [Letter to Alfred Einstein] [BWV 1079, 1080]	Bach	2	1	Jan 1971	33-34
	218.	Spitta, Philipp	Litterae ab musicis. [Letter to an unnamed addressee in Vienna dated 2 Feb.1871] Trans. by Walter Winzenburg.	Bach	3	1	Jan 1972	22-26	check pp
	219.	Dupré, Marcel	Litterae ab musicis. Marcel Dupre Writes to Albert Riemenschneider.	Bach	3	2	Apr 1972	31-32
	220.	Herz, Gerhard	Lombard Rhythm in the Domine Deus of Bach's B minor Mass: An Old Controversy Resolved.	Bach	8	1	Jan 1977	3-11
	221.	Sanchez-Behar, Alexander	Looking Forward, Looking Back: Reconsidering the Study of J. S. Bach's Chorales in the Undergraduate Curriculum. Roundtable: Bach in the Music Theory Classroom	Bach	49	2	2018	330-344
	222.	Ambrose, Jane	Madness and Music: Handel's Porphyric Patron, George III.	Bach	27	1	Spring-Summer 1996	57-65
	223.	Greer, Mary	Masonic Allusions in the Dedications of two Canons by J. S. Bach: BWV 1078 and 1075.	Bach	43	2	2012	1-45
	224.	Rathey, Markus	Memory, Morals, and Contemplation in Leipzig Passion Texts from the 1720s: A New Perspective on J. S. Bach's St. John Passion from 1724.	Bach	51	1	2020	44-69
	225.	Ebata, Nobuaki; Tomita, Yo; Mills, Ian	Mendelssohn and The Schübler Chorales (BWV 645-650): A New Source found in the Riemenschneider Bach Institute Collection. In Memory of Yoshitake Kobayashi.	Bach	44	1	2013	1-45
	226.	Winzenburger, Walter P.	Meter and Tempo Indications in Music of the Early Baroque.	Bach	3	1	Jan 1972	13-21
	227.	Mann, Alfred	Missa Brevis and Historia: Bach's A-Major Mass.	Bach	16	1	Jan 1985	6-11
	228.	Smith, Timothy A.	More Evidence of Numeral-Logical Design in Bach's St.Matthew Passion.	Bach	17	2	Apr 1986	24-30
	229.	Kochevitsky, George A.	More on Articulation in J. S. Bach's Keyboard Music. From Our Readers.	Bach	8	1	Jan 1977	25-29
	230.	Espinosa, Alma	More on the Figured-bass Accompaniment in Bach's Time: Friedrich Erhard Niedt and The Musical Guide.	Bach	12	1	Jan 1981	13-22
	231.	Marissen, Michael	More Source-Critical Research on J. S. Bach's Musical Offering.	Bach	25	1	Spring-Summer 1994	11-27
	232.	Ellis, Mark	Motif and Structure in Bach's Fifth Prelude.	Bach	37	1	2006	1-25
	233.	Wolff, Christoph	Musical Forms and Dramatic Structure in Bach's St. Matthew Passion.	Bach	19	1	1988	6-20
	234.	Benitez, Vincent P.	Musical-Rhetorical Figures in the Orgelbüchlein of J. S. Bach. [BWV 606, 614, 615, 625, 637, 644]	Bach	18	1	Jan 1987	3-21
	235.	Collins, Denis	Musical Terminology in the Canonic Works of Bach: An Historical Context.	Bach	26	1-2	1995	91-101
	236.	Payne, Thomas B.	Musical Terminology in the Contrapuntal and Canonic Works of J. S. Bach. [BWV 769, 1087]	Bach	17	1	Jan 1986	18-35
	237.	David, Hans T.	Music History - A Teaching, Learning, Performing Experience. Notizbuch für Studenten.	Bach	2	3	Jul 1971	28-32
	238.	Leaver, Robin A.	New Light on the Pre-History of The Bach Choir of Bethlehem.	Bach	22	2	Fall-Winter 1991	24-34
	239.	Franklin, Don O.	Notational and Performance Issues in J. S. Bach's Preludes and Fugues for Organ. Listening to and Performing Bach.	Bach	51	2	2020	241-258
	240.	Ambrose, Jane	Notations on Mattheson's Der Brauchbare Virtuoso.	Bach	17	3	Jul 1986	3-9
	241.	Ambrose, Jane	Notations on Mattheson's Der brauchbare Virtuoso. (1986) [repr. of Bach xvii/3 (Jul 1986)]	Bach	25	2	Fall-Winter 1994	91-98
	242.	Noehren, Robert	Notes on Bach and the Organ of his Time. [updated repr. of Bach vi/2 (Apr 1975)]	Bach	26	1-2	1995	70-83
	243.	Noehren, Robert	Notes on Bach and the organ of his Time. [repr. of Bach vi/2 (Apr 1975)]	Bach	16	1	Jan 1985	69-80
	244.	Noehren, Robert	Notes on Bach and the Organ of his Time.	Bach	6	2	Apr 1975	3-14
	245.	Livingstone, Ernest	Notes on the Art of Fugue: A Fragment.	Bach	28	1-2	1997	82-86
	246.	Leaver, Robin A.	Number Associations in the Structure of Bach's Credo, BWV 232.	Bach	7	3	Jul 1976	17-24
	247.	Hirsch, Artur	Number Symbolism in Bach's First Cantata Cycle: 1723-1724 -- Part I.	Bach	6	3	Jul 1975	11-19
	248.	Hirsch, Artur	Number Symbolism in Bach's First Cantata Cycle: 1723-1724 -- Part II.	Bach	6	4	Oct 1975	14-19
	249.	Hirsch, Artur	Number Symbolism in Bach's First Cantata Cycle: 1723-1724 -- Part III.	Bach	7	1	Jan 1976	27-32
	250.	Boer, Bertil H. van, Jr.	Observations on Bach's Use of the Horn.	Bach	11	3	Jul 1980	9-23
	251.	Boer, Bertil Herman van Jr.	Observations on Bach's Use of the Horn.	Bach	11	2	Apr 1980	21-28
	252.	Wollny, Peter	Observations on the Autograph of the B-Minor Mass. Trans. James Brokaw, II.	Bach	47	2	2016	27-46
	253.	Collins, Timothy	Observations on the Origins and Influences Leading to Bach's Idiomatic Writing for the Trumpet in Grosser Herr o starker König from the Christmas Oratorio. Notizbuch für Studenten.	Bach	17	2	Apr 1986	31-45
	254.	Serebrennikov, Maxim	Once Again on the Authorship of BWV 907 and BWV 908.	Bach	44	2	2013	52-66
	255.	Jerold, Beverly	[On Gertrud Schmeling Mara.] Letter to the Editor.	Bach	36	2	2005	120-122
	256.	Marissen, Michael	On Linking Bach's F-Major Sinfonia and his Hunt Cantata. [BWV 208, 1046a]	Bach	23	2	Fall-Winter 1992	31-46
	257.	Hoag, Melissa	On Relevance and Repertoire in the Eighteenth-Century Counterpoint Classroom Roundtable: Bach in the Music Theory Classroom	Bach	49	2	2018	388-401
	258.	Clement, Albert	On the Inner Correlation of the Six Chorales BWV 645-650 and its Significance.	Bach	34	2	2003	1-62
	259.	Jenne, Natalie	On the Performance of Keyboard Allemandes.	Bach	10	2	Apr 1979	13-30
	260.	Paczkowski, Szymon	On the Problems of Parody and Style in the 'Et resurrexit' from the Mass in B minor by Johann Sebastian Bach.	Bach	37	2	2006	1-44
	261.	Wentz, Jed	On the Protestant Roots of Gustav Leonhardt's Performance Style.	Bach	48	2 and 49/1	2018	48-92
	262.	Adams, Courtney S.	Organization in the Two-Part Inventions of Johann Sebastian Bach, Part I.	Bach	13	2	Apr 1982	6-16
	263.	Adams, Courtney S.	Organization in the Two-Part Inventions of Johann Sebastian Bach, Part II.	Bach	13	3	Jul 1982	12-19
	264.	Leaver, Robin A.	Parody and Theological Consistency: Notes on Bach's A-Major Mass.	Bach	21	3	Winter 1990	30-43
	265.	Krenek, Ernst	Parvula Corona Musicalis.	Bach	2	4	Oct 1971	18-31
	266.		Parvula Corona Musicalis by Ernst Krenek: The Composer's Autograph Manuscript and Explanations.	Bach	27	1	Spring-Summer 1996	66-85
	267.	Kochevitsky, George A.	Performing Bach's Keyboard Music: Articulation. See also 'A Correction', Bach iv/1 (1973), p.36.	Bach	4	1	Jan 1973	21-25
	268.	Kochevitsky, George A.	Performing Bach's Keyboard Music: Dynamics. A Postscript.	Bach	7	1	Jan 1976	3-11
	269.	Kochevitsky, George A.	Performing Bach's Keyboard Music -- Embellishments. Part I	Bach	5	3	Jul 1974	37-40
	270.	Kochevitsky, George A.	Performing Bach's Keyboard Music -- Embellishments. Part I (Continued). [Headings: Bach's 'Table of Ornaments'; Ornamental Differences in Various Bach Editions] [Contents' page says 'Part II' instead of 'Part I (Continued)']	Bach	5	4	Oct 1974	25-30
	271.	Kochevitsky, George A.	Performing Bach's Keyboard Music -- Embellishments, Part III, The Trill. Errata in Bach vi/3 (July 1975), p.40.	Bach	6	1	Jan 1975	24-35
	272.	Kochevitsky, George A.	Performing Bach's Keyboard Music -- Embellishments, Part IV, The Appoggiatura.	Bach	6	2	Apr 1975	27-40
	273.	Kochevitsky, George A.	Performing Bach's Keyboard Music -- Embellishments, Part V, Acciaccaturas and Broken Chords. Part VI, Mordents and Inverted Mordents.	Bach	6	3	Jul 1975	20-35
	274.	Kochevitsky, George A.	Performing Bach's Keyboard Music -- Embellishments, Part VII, The Turn and the Slide. Part VIII, Compound Ornaments. Part IX, Additional Remarks.	Bach	6	4	Oct 1975	23-29
	275.	Kochevitsky, George A.	Performing Bach's Keyboard Music -- Notes Inégales: A Brief History and a Summary. [Headings: Origins and Definitions; Renewed Interest in the Problem; Bach and the Techniques of Inequality; Conclusions and Suggestions]	Bach	4	4	Oct 1973	27-35
	276.	Kochevitsky, George A.	Performing Bach's Keyboard Music -- Phrasing.	Bach	3	4	Oct 1972	28-32
	277.	Kochevitsky, George A.	Performing Bach's Keyboard Music: Tempo.	Bach	4	2	Apr 1973	22-24
	278.	Kochevitsky, George A.	Performing Bach's Keyboard Music -- The Choice of an Instrument.	Bach	3	2	Apr 1972	33-37
	279.	Mendel, Arthur	Persönliches zur Geschichte der Jüngeren Bach-Forschung. ('A Personal Message Concerning the History of Recent Bach Scholarship')	Bach	20	3	Fall 1989	6-14
	280.	Jerold, Beverly	Pitch in the Vocal Works of J. S. Bach.	Bach	31	1	2000	74-95
	281.	Sampsell, Gary	Popular Music in the Time of J. S. Bach: The Leipzig Mandora Manuscript.	Bach	48	1	2017	1-35
	282.	Schenkman, Walter	Portrait of Mattheson, the Editor, Together with His Correspondents. (1978-1979) [repr. of Bach ix/4 (Oct 1978), x/1 (Jan 1979) and x/2 (Apr 1979)]	Bach	25	2	Fall-Winter 1994	63-90
	283.	Schenkman, Walter	Portrait of Mattheson, the Editor, Together with His Correspondents, Part I.	Bach	9	4	Oct 1978	2-10
	284.	Schenkman, Walter	Portrait of Mattheson, the Editor, Together with His Correspondents, Part II.	Bach	10	1	Jan 1979	3-12
	285.	Schenkman, Walter	Portrait of Mattheson, the Editor, Together with His Correspondents, Part III.	Bach	10	2	Apr 1979	2-8
	286.	Krenek, Ernst	Postscript to the 'Parvula Corona'	Bach	3	3	Jul 1972	21-26
	287.	Szabó, Zoltán	Precarious Presumptions and the 'Minoritz Report': Revisiting the primary sources of the Bach Cello Suites.	Bach	45	2	2014	1-33
	288.	Milka, Anatoly [Milka, Anatolij Pavloviè]	Preface to the Facsimile Reproduction of the Original Edition of Gottfried Kirchhoff's L'A.B.C. Musical: Contenant des Preludes et des Fugues les Tons Pour l'Orgue, ou le Clavecin Fort utile aux disciples pour aprendre a accompagner de la Basse Continue et a faire des Preludes et des Fugues. Amsterdam, c.1734.	Bach	42	2	2011	1-39	Latin 2
	289.	Ganz, Beatrice	Problems of Articulation in Baroque Keyboard Music (At the Piano or Organ). [A lecture in series 'Information and Experimentation' at the Basel Music Academy, January 18, 1975.]	Bach	7	2	Apr 1976	3-13
	290.	Tomita, Yo	Psalm and the Well-Tempered Clavier II: Revisiting the Old Question of Bach's Source of Inspiration.	Bach	32	1	2001	17-43
	291.	Barber, Elinore	Questions to the Editor. [BWV 620, 1003]	Bach	2	2	Apr 1971	24-26
	292.	Barber, Elinore	Questions to the Editor. [BWV 201]	Bach	2	1	Jan 1971	38-41
	293.	Barber, Elinore	Questions to the Editor.	Bach	2	3	Jul 1971	25-27
	294.	Barber, Elinore	Questions to the Editor. [BWV 769]	Bach	2	4	Oct 1971	32-35
	295.	Barber, Elinore	Questions to The Editor [Part I]. [WK1, BWV 244]	Bach	1	1	Winter 1970	19-22
	296.	Barber, Elinore	Questions to the editor [Part II].	Bach	1	2	Apr 1970	21-25
	297.	Barber, Elinore	Questions to the Editor. [Part III].	Bach	1	3	Jul 1970	45-47
	298.	Barber, Elinore	Questions to the Editor. [Part IV.]	Bach	1	4	Oct 1970	35-40
	299.	Franklin, Don O.	Reading Bachäs Notation: A Guide to the Temporal Structure of the 1733 Missa.	Bach	48	1	2017	76-92
	300.	Brokaw, James A., II	Recent Research on the Sources and Genesis of Bach's Well-tempered Clavier, Book II.	Bach	16	3	Jul 1985	17-35
	301.	Elferen, Isabella van	'Recht bitter und doch süße': Textual and Musical Expression of Mystical Love in German Baroque Meditations of Christ's Passion.	Bach	35	1	2004	1-28

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